Most Downloaded

 Elton Joel RW2   2'25
With apologies to them both. A rock piano solo without lyrics.

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Recording (mp3, 1.9MB)


 Elegy RW2   2'25
Many, many parts to weave and balance - needs ensemble skills, even though it's for solo piano.

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Recording (mp3, 1.6MB)


 Grumpy Trolls RW2   2'25
A contest piece with bite. Storms and stamps all over the piano before the jump-up-and-bow finish.

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Recording (mp3, 1.2MB)



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Recently added

 Snowflakes RW2   2'25
A delicate picture piece - how many shades of quiet can you play?

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Recording (mp3, 0.9MB)


 MicroWaltz RW2   2'25
Less than a minute long. For early intermediate students.

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Recording (mp3, 0.8MB)


 Processional RW2   2'25
A concert opener that quickly breaks out of its initial stately reserve.

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Recording (mp3, 2.6MB)


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Running a competition          back to magazine homepage

by Philip Johnston

Introduction | Hyping the lead-up | Limiting the time | Creating prize categories
Choosing great rewards | Certificates | The "Doubler" factor | Creating leaderboards | Team based competitions | Strategic timing | Interstudio competitions
Creating a Hall of Fame
| Turning it into a fundraiser

 

Limiting the time

With the surge in practice that your Practice Championships will produce, it might be tempting to think about having a competition permanently in place. Resist this temptation though—you'll strip the competition of the very thing that gives it its impact, and your practice goose will quickly start laying ungilded eggs again.

It's the reason that the Olympic Games is not an annual event. The fact that it only happens every four years adds enormously to the sense of occasion and drama—nothing would devalue the concept of a Gold Medal faster than knowing that another chance to get one is just around the corner.

So limit your practice championships to being a biennial event at most, so that you can hype it in advance, epilogue it once it's gone, and ensure it's imbued with an air of mystique when it's here.

Creating prize categories >>>